I know noise is bad for photogrammetry even if it’s removed because it changes the image.
But a camera like Sony A7 C has very low noise and doesn’t loose detail at high iso. I don’t have it so I can’t try it but I’d like to have one if the images can be used at high iso.
Has anyone here tested the limits on high ISO with 3D reconstruction and can talk about it?
And do you mean only in the context of APS-C class sensors, or are we including phone/entry-level sUAS class sensors as well? With those sub-1" sensors, even ISO-400 visibly starts to degrade dynamic range at least.
Seems like really high ISO/noisy images aren’t that much of a problem, but dynamic range loss and noise reduction algorithms (loss of detail/microtexture) might be far more detrimental to reconstruction:
My focus was fixed at infinity, but I never calibrated this on OpenCamera, so the focus point appears to be further beyond the surface being imaged (meaning I should have been further away, maybe another meter or so) so there is significant loss of image detail due to being out of focus.
Noise seems to make little difference
Dynamic range loss due to higher ISO does seem to be dangerous, as both shadow and highlight regions clip far more aggressively
Regular lazy walk-around collect/ad-hoc collect, so no care taken to overlap/sidelap, etc
So all things considered, I’m happy and will certainly not shy away from higher ISOs, at least in scenes that aren’t highly dynamic in terms of lightning.
That was really high ISO! I wouldn’t have pushed it that far, Sony A7 C has really low noise but I wouldn’t push it much more than 1600 because it’s starts to deteriorate after that.
Yes, very high ISO and far too much for the tiny Samsung ExoCell 12MP sensor in my phone, but I think that it helps illustrate our point, no?
I think you can safely push ISO, especially on larger sensors, with minimal negative effects given that this tiny and pretty poor sensor was still usable completely maxed out.
This was done when waiting for our food order to finish, as kiddo was riding my shoulders piloting me like a mech. Can’t do that with the Fuji, need both hands
Cellphone? Easy enough one-handed and always on me.
I’ve mixed in ISO 100, 200 and 400 M2P images when mapping in order to keep the aperture and shutter speed where I wanted them when isolated clouds covered the sun, with no apparent deterioration in the orthomosaic.